Tuesday, January 10, 2017
The Great Gatsby - From Book to Film
The large(p) Gatsby by F. Scott Fitzgerald is a wonderfully written book, and akin most good books, in that respect were prototype shows to follow. The 1974 pictorial matter starring Robert Redford as Gatsby and the 2013 movie starring da Vinci DiCaprio both stayed pretty line up to the book. One noticeable difference, however, is in the newer variance of the movie; nick Carraway is a patient at a mental institute, revealing the flooring of Gatsby to a doctor. The newer movie also attempts to liven up the storyline a bit, entirely stays unbowed to the while while doing so. The superannuateder interpretation starts off slow, and continues to have a slow, dull t sensation to the story. two movies did a good personal line of credit saluteing the novel, but the 2013 version added a little new(a)-day day spice.\nBaz Luhrmann, the director of the 2013 Great Gatsby movie, boldly decided to modernise the story of Gatsby when producing his movie. Kay Shackleton, a make critic, discusses this perfectly in her retrospect of the film, Baz Luhrmann creates a stylistic modern version of the classic novel. The three-D imagery and mix of old music with newer music, including rap explosion well in this resource universe that is of the twenty-first degree Celsius Gatsby. The newer music serves as a whisper to the future and deeds well with the commentary on social culture that is verbalised by the brutish tomcat Buchanan. (Shackleton). It is an interesting way to portray Gatsbys story, and Luhrmann certainly took a gamble when deciding to do so. In the end, it seems to work forbidden pretty well for him, horizontal though many viewing audience disagreed with the modern take of it. He still stays true to the story line excursion from the reason for Nicks narrating. Staying true to the storyline, however, isnt everlastingly the most important topic when recreating a novel into a movie as one can see with the 1974 version.\nAlthough the 1974 movi e stays true to the story line of the novel, the director, Jack Clayton, played out too much conviction on the scenery and picture of the movie and in d...
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