'American Independent Cinema: Representational Analysis of Women\r'

'â€Å"The Hollywood video fabrication itself has been (and continues to be to a rotund extent) male-dominated. Hence, male directors, producers, writers, and cinematographers wholly use the camera as an instrument to play at women. ” (Benshoff, pg. 235) Gender also plays a large responsibility in the picture show constancy when pertaining to what females raise and tin not do in characterizations. manly characters atomic fleck 18 usu aloney main characters and â€Å"in perpetrate” inwardly needs, whereas the female characters are usu entirelyy modified to just looking pretty while electrostatic remaining passive and somewhat outside of all the action at heart the story.\r\nWomen today feel a large amount of pressure to look and conduct like these female actresses portrayed on the braggy screen. With the preparation of these movie theaters women usually take a precise long measure in hair and harmonize for the sole purpose of looking attractiv e and gaining to a greater extent male attention in the ikons. Many females live on to realize how much time and preparation really goes into the looks and costume designs of the characters that are being portrayed within the film industriousness. In today’s nightspot female’s feel as though they have to be beautiful and live up to a certain stereotype and â€Å"look” that is highly unrealistic.\r\nRelated essay: Pestle Analysis for Odeon movie\r\nReal Women Have Curves (2002)” was a film tell by Patricia Cardoso that challenges the representation of all women in society. Although the film is about a first generation Mexican-American female struggling with her family’s beliefs, her future, culture, and body, it reaches all female viewers with the same powerful message. The message is that all females can be empowered and should be rarefied of who they are and where they come from. Most importantly females should be proud of their bodies and no t try to live up to the marvelous images that our American culture has welded for us today.\r\nAnother film and director that challenged the male dominated movie industry was Susan Seidelman with her 1985 low-budget ($5million) film â€Å" desperately pursuit Susan. ” â€Å"…Seidelman doesn’t glamorize women at the expense of men. In fact, her strongest kinship is with desperate, aggressive women who never stop hustling. ” (Levy, pg. 356) Her film â€Å"urgently Seeking Susan” looks at contemporary issues of fame, self fulfillment, and neighborly relationships, as well as personal identity. The film is about a petite bran-new tee shirt housewife named Roberta, who is bore, unsatisfied, and tired of her marriage routine flavor at home.\r\nShe then begins to articulate the personals arm of the rising York newspaper for vicarious thrills and entertainment. Her favorite branchified to read is one that features the romance of Jim who is a stru ggling actor and Susan who is a free-spirited single woman living her deportment in Soho crude York. Susan had just recently take flight her ex boyfriend who was a mobster and steal a pair of very expensive Egyptian earrings. One bored day when Roberta reads the classified section she sees the ad â€Å"Desperately Seeking Susan” and decides to follow Susan and Jim.\r\nThe debate as to why Roberta decided to take this extremum measure is because this was a way for her to escape her effortless average life and become someone else for a day. The film then takes an unexpected turn and becomes all about reinvention as the housewife Roberta unknowingly with blackout transforms herself into the wild and care-free character of Susan. There were a number of different codes within the film â€Å"Desperately Seeking Susan (1985)” that made it easier to understand its viewpoint. whatever of the cultural codes recognized within the film include cultural, narrative, artist ic, cinematic, and intertexual.\r\nThe film took come during the 1980’s in a small suburban town in New Jersey as well as New York City. The characters of Roberta and Gary Glass are individuals being represented as members of an upper gist class society living in New Jersey. We know that they are upper middle class because of the context clues and dialogue that we see within the movie. We essay Mr. Glass tell his wife â€Å"what are we pitiful? ” when he tells her that she bought a utilize tip that used to belong to Jimi Hendrix. Roberta is a bored, full-time housewife and he is a hardworking husband.\r\nAs the film continues we gain the other main character who is a entertainment loving, care-free, gold digging, woman named Susan from New York. The film is told by and through the eyes of the main character, which is a repressed and bored housewife named Roberta. The story is also partially told through the eyes of Susan the carefree and stylish woman from New York. The story is also told through the eyes of Roberta’s worried husband Gary and her love interest Dez. The film â€Å"Desperately Seeking Susan” was very creative and original.\r\nSome of the artistic codes within the film include the euphony in which is exceedingly upbeat and perfect for the time period of the 80’s. The clothing design within the film is extremely important and relevant to the schooling of Robert’s character. â€Å"Susan’s individualized pyramid pennant signifies her unconventional personal style and her fluency in innovating her own look. The jacket binds the two women together. Susan’s business of looks shows her competence in putting together an always evolving and eccentric look, while Roberta’s purchase of the (second hand) jacket is part of her adventure and escape. ” (Street, pg. 1)\r\nThe costumes in the film say the socio-economic status of the main characters and the time period. At the li ne of descent of the film we acknowledge Roberta well spruced up with a suburban flare and we also noticed Susan dressed as a stylish, upbeat, rocker. (Complete Opposites! ) The genre of the film â€Å"Desperately Seeking Susan” was comedy, drama, and romance because of its portrayal. The film portrays comedic humor with the absurd identity of two polar opposites Roberta and Susan. Their journey is a comedic mystery and we never know what will lead next as Roberta searches for adventure and Susan hunts for the stolen Egyptian earring.\r\nThe film also depicts drama with all of the confusion and an violent romance between Roberta and Jim. In conclusion, the film industry is particularly male dominated. However, there are more(prenominal) female directors, producers, etc. like Susan Seidelman and Patricia Cardoso who are reservation a remarkable change. These females are making films with predominately female casts, and with messages of strength, personal identity, social relationships and self- fulfillment. They’re challenging the film business and changing perceptions of women everywhere.\r\n'