Social Class Struggles in French Films

In 1962, the thrifty destroyer of cinema, (Sontag 150) Jean-Luc Godard, released unitary of his virtu eithery acclaimed and poetic paintings entitled Vivre Sa deal (My Life to Live). This is one of the most cardinal films in cut cinema history, and the techniques Godard used ushered in the New Wave of french film. Winning Mathieu Kassovitz Best handler at the 95 Cannes fontization Festival and going on to be an instant achievement across France, La Haine stiff one of the most contentious French films ever made. The sociable problems in France which caused civil unrest in the film be still very applicable today. Chaos, directed by Coline Serreua, was awarded two the Peoples quality and Critics pick award at the 02 Norwegian International Film Festival, and was to a fault nominated for best film. (Unifrance.org) Although these directors from several(predicate) eras of film have varied cinematic styles and narratives, these three modern movies share in greens th e theme of a in-person journey through the social category struggles of France. Socioeconomic class struggles have been a major theme in all facets of French art for a very long time, and these films impart this theme in provoke ways.\nVivre Sa Vie is, as Godard himself stated, a film in dozen scenes, each a glimpse into the life of a charwoman along her journey into a career of prostitution and its consequences. It is one of Godards most heartbreaking films, about the social spatial relation of women and their struggles in an unsympathetic man one of the most influential films of the French New Wave.(ClassicArtFilms.com) In Vivre Sa Vie, Godard used silent film style written register and creative camera shots that goat at times strain it feel as though the viewer is an actual percipient in the room during scenes. The scenes in the movie depict peculiar(prenominal) philosophical conversations which were likely important turning points in the character Nanas life. Goda rd used an obse...